Week three of construction started today. Our crew is still demolishing the interiors, literally peeling back the onion-like layers of time to reveal the bones of the house. Our structural engineer Mark comes every so often to make sure the place is still standing. Today he told me that the wood was in excellent condition, first cut hardwood like you can no longer buy. Who ever built this did it the right way, he told me. Seems a bit unseemly, but I will admit that I beamed with pride. Like the mother of a newborn, projects feel like babies and no matter how ugly they may look, we love them.
I like to come stand in the barn-like space, gaping up two stories, ceiling and floor boards stripped away. It looks like a SoHo loft, or the Parisian atelier of a famous designer. Can’t we keep it just like this? I think. And then I remember that there are not too many fashion designers looking for rental space in Woods Hole. OK, I will stick with the plan and transform it into the weekend getaway FOR fashion designers… Yes, yes, that is it.
The guys arrive at 7 am and they work with crowbars, sledgehammers, saws. Masks are a must as the plaster dust swirls in the ocean breeze from open windows and wheelbarrows of debris head toward a revolving dumpster. There is a majesty to the work, a pace respected to the minute. Breaks are observed, meals shared, and “Lady on deck” shouted when I come close. I secretly wonder what they are saying when I am not there, although they may not be able to hear each other much over the blasting radio and the thud of metal on horsehair plaster. Underneath is the lathe, thin boards that were used before drywall to adhere the plaster to. They are so beautiful, my heart aches as they are carted away.
Being in there now — views of the ocean everywhere you peek — feels like flying inside the bones of a huge feather-less bird. There is a lightness — an airy feeling with the windows open, the roof space soaring two stories above you — that creates the sensation of flying. Maybe it’s just me, as the project flies along, feeling suspended in time, searching for my place in the process.
I pace the dusty boards — this will be the bedroom, here is where the new window goes, oh you can see the ocean from here! — scheming and referencing the floorplans when I get confused. I am desperate to make sure that when the dust settles, some of the majesty of the building itself, it’s strong bones and lithe walls, will still be evident. Check back in to see future progress!